The work of Bristol sound co-founder the musician-producer, this sharp-edged if slight debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one key story turn, but it results in a comically executed rampage on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in British and Irish cinemas from 17 November.
